Clay Jenkins returns home from school to find a mysterious box with his name on it lying on his porch. Inside he discovers 13 cassette tapes recorded by Hannah Bakerahis classmate and crushawho committed suicide two weeks earlier. On tape, Hannah explains that there are thirteen reasons why she decided to end her life. Clay is one of them. If he listens, heall find out how he made the list. Through Hannah and Clayas dual narratives, debut author Jay Asher weaves an intricate and heartrending story of confusion and desperation that will deeply affect teen readers.
Distributed by Syndetic Solutions, Inc.
This uncommonly polished debut opens on a riveting scenario: 13 teenagers in a small town have each been designated to listen, in secret, to a box of audiotapes recorded by their classmate Hannah and mailed on the very day she commits suicide. I'm about to tell you the story of my life, she says. More specifically, why my life ended. And if you're listening to these tapes, you're one of the reasons why. Clay, the narrator, receives the tapes a few weeks after the suicide (each listener must send the box to the next, and Hannah has built in a plan to make sure her posthumous directions are followed), and his initial shock turns to horror as he hears the dead girl implicate his friends and acquaintances in various acts of callousness, cruelty or crime. Asher expertly paces the narrative, splicing Hannah's tale with Clay's mounting anxiety and fear. Just what has he done? Readers won't be able to pull themselves away until that question gets answered no matter that the premise is contrived and the plot details can be implausible. The author gets all the characters right, from the popular girl who wants to insure her status to the boy who rapes an unconscious girl at a party where the liquor flows too freely, and the veneer of authenticity suffices to hide the story's flaws. Asher knows how to entertain an audience; this book will leave readers eager to see what he does next. Ages 13-up. (Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From: Reed Elsevier Inc.
Copyright Reed Business Information
Gr 7 Up High school senior Clay Jensen receives seven audiotapes in the mail. They contain the story of why Hannah Baker, a girl he adored, committed suicide. Each side is devoted to a person in her life and a reason for her death. Clay also has a map of places featured on the recordings. He spends a torturous night listening and wandering, unearthing the depth and causes of Hannah's unhappiness. His torment is private how did he hurt a girl he treasured from afar and empathic her hurts and betrayals tear him apart. Clay's pain is palpable and exquisitely drawn in gripping, casually poetic prose. The complex and soulful characters expose astoundingly rich and singularly teenage inner lives, with emotions as raw as cut wrists. The mood is more serious than somber, and Clay's thoughtful synthesis of Hannah's increasingly explosive narrative saves the novel from melodrama. In fact, Hannah's and Clay's narratives are woven together so seamlessly that the characters appear to converse naturally from opposite sides of mortality. Compounded, the tapes build the plot in increasingly tense increments Hannah's story is a freight train of despair and suspense that picks up speed as it moves to her final undoing. Like the protagonist in John Green's Looking for Alaska (Dutton, 2005), Hannah is an animate ghost; Clay's bereaved voice bears witness to her tragedy. The episodic structure is nicely suited to reluctant readers, but the breakneck pace and dizzying emotion are the true source of this novel's irresistible readability at all levels. Johanna Lewis, New York Public Library Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From: Reed Elsevier Inc.
Copyright Reed Business Information
When Clay Jenson plays the casette tapes he received in a mysterious package, he's surprised to hear the voice of dead classmate Hannah Baker. He's one of 13 people who receive Hannah's story, which details the circumstances that led to her suicide. Clay spends the rest of the day and long into the night listening to Hannah's voice and going to the locations she wants him to visit. The text alternates, sometimes quickly, between Hannah's voice (italicized) and Clay's thoughts as he listens to her words, which illuminate betrayals and secrets that demonstrate the consequences of even small actions. Hannah, herself, is not free from guilt, her own inaction having played a part in an accidental auto death and a rape. The message about how we treat one another, although sometimes heavy, makes for compelling reading. Give this to fans of Gail Giles psychological thrillers. Dobrez, Cindy.
From: Syndetics Solutions, Inc.
Distributed by Syndetic Solutions, Inc.